Kishore Kumar Lata Mangeshkar Mere Mehboob Qayamat Hogi The Man behind the tune of Bollywood Romance
Kishore Kumar was a godsend to the Bollywood industry. His melodious imprint in Bollywood films cannot be erased. Born Abhas Kumar Ganguly, Kishore Kumar Indian film playback singer, actor, lyricist, composer, producer, director, and screenwriter. Known as the voice behind all the romantic songs, it is impossible a task to start outweighing one song of his against the other. Be it a love-stricken Romeo awaiting his Juliet or the devasted Orpheus at the depart of Eurydice, Kishore Kumar’s songs express it all. It melodiously satisfies, make you long and even reminisce the love lost or gained. The tune behind every romantic song, we remember Kishore Kumar on his death anniversary with some of his most loved songs:
Bheegi Bheegi Ratoon Mein- A song that will even make the rain 'fire', Bheegi Bheegi Ratoon mein of Kishore Kumar and Lata Mangeshkar from the movie Ajanabee, is a undying song that makes even the stone-coldest of heart want to love.
O Meri Dil Ke Chain- One couldn’t help but smile when listening to this song of Kishore Kumar. From the movie Mere Jeevan Saathi, this song will have you blushing at the thoughts of what love can do to you!
Mere Sapnon Ki Rani- Like Lobo’s song, ‘Dream Lover’, Mere Sapnon Ki Rani from the movie Aradhana expresses the agony of longing for the dream girl to be in his arms. With a catchy lyric and an unstoppable beat, this song is impossible not to love.
Pal Pal Dil Ke Pas- From the movie Blackmail, Pal Pal Dil Ke Pas is yet another gem love song of Kishore Kumar. The fluent flow of the song really will make you feel the feel of the ardent lover’s outpour of his inner feeling with gusto.
Mere Mehboob Qayamat Hogi - A song of the silver screen era by Kishore Kumar, Mere Mehboob Qayamat Hogi from the movie Mr.X in Bombay resonates what Old is Gold mean. With a luring tune and a heart-aching lyrics, this song will have you wish for a time machine to see Kishore Kumar sing once again.
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